A year in illustration, 2023 edition
I amuse myself, at least.
I am objectively very bad at visual art. I am bad at vision, period — I’m astigmatic, shortsighted, color blind, and often miss visual details others see. I can’t even draw a stick-figure. To top things off, I have cataracts in both eyes and my book publishing/touring schedule is so intense that I keep having to reschedule the surgeries. But despite my vast visual deficits, I thoroughly enjoy making collages for this blog.
For many years now — decades — I’ve been illustrating my blog posts by mixing public domain and Creative Commons art with work that I can make a good fair use case for. As bad as art as I may be, all this practice has paid off. Call it unseemly, but I think I’m turning out some terrific illustrations — not all the time, but often enough.
Last year, I rounded up my best art of the year:
https://pluralistic.net/2022/12/25/a-year-in-illustration/
And I liked reflecting on the year’s art so much, I decided I’d do it again. Be sure to scroll to the bottom for some downloadables — freely usable images that I painstakingly cut up with the lasso tool in The Gimp.
The original AD&D hardcover cover art is seared into my psyche. For several years, there were few images I looked at so closely as these. When Hasbro pulled some world-beatingly sleazy stuff with the Open Gaming License, I knew just how to mod Dave Trampier’s ‘Eve Of Moloch’ from the cover of the Players’ Handbook. Thankfully, bigger nerds than me have identified all the fonts in the image, making the remix a doddle.
https://pluralistic.net/2023/01/12/beg-forgiveness-ask-permission/#whats-a-copyright-exception
Even though I don’t keep logs or collect any analytics, I can say with confidence that “Tiktok’s Enshittification” was the most popular thing I published on Pluralistic this year. I mixed some public domain Brother’s Grimm art, mixed with a classic caricature of Boss Tweed, and some very cheesy royalty-free/open access influencer graphics. One gingerbread cottage social media trap, coming up:
To illustrate the idea of overcoming walking-the-plank fear (as a metaphor for writing when it feels like you suck) I mixed public domain stock of a plank, a high building and legs, along with a procedurally generated Matrix “code waterfall” and a vertiginous spiral ganked from a Heinz Bunse photo of a German office lobby.
Finding a tasteful way to illustrate a story about Johnson & Johnson losing a court case after it spent a generation tricking women into dusting their vulvas with asbestos-tainted talcum was a challenge. The tulip (featured in many public domain images) was a natural starting point. I mixed it with Jesse Wagstaff’s image of a Burning Man dust-storm and Mike Mozart’s shelf-shot of a J&J talcum bottle.
https://pluralistic.net/2023/02/01/j-and-j-jk/#risible-gambit
“Google’s Chatbot Panic” is about Google’s long history of being stampeded into doing stupid things because its competitors are doing them. Once it was Yahoo, now it’s Bing. Tenniel’s Tweedle Dee and Dum were a good starting point. I mixed in one of several Humpty Dumpty editorial cartoon images from 19th century political coverage that I painstakingly cut out with the lasso tool on a long plane-ride. This is one of my favorite Humpties, I just love the little 19th C businessmen trying to keep him from falling! I finished it off with HAL 9000’s glowing red eye, my standard ‘this is about AI’ image, which I got from Cryteria’s CC-licensed SVG.
https://pluralistic.net/2023/02/16/tweedledumber/#easily-spooked
Though I started writing about Luddites in my January, 2022 Locus column, 2023 was the Year of the Luddite, thanks to Brian Merchant’s outstanding Blood In the Machine:
https://pluralistic.net/2023/09/26/enochs-hammer/#thats-fronkonsteen
When it came time to illustrate “Gig Work Is the Opposite of Steampunk,” I found a public domain weaver’s loft, and put one of Cryteria’s HAL9000 eyes in the window. Magpie Killjoy’s Steampunk Magazine poster, ‘Love the Machine, Hate the Factory,’ completed the look.
https://pluralistic.net/2023/03/12/gig-work-is-the-opposite-of-steampunk/
For the “small, non-profit school” that got used as an excuse to bail out Silicon Valley Bank, I brought back Humpty Dumpty, mixing him with a Hogwartsian castle, a brick wall texture, and an ornate, gilded frame. I love how this one came out. This Humpty was made for the SVB bailout.
https://pluralistic.net/2023/03/23/small-nonprofit-school/#north-country-school
The RESTRICT Act would have federally banned Tiktok — a proposal that was both technically unworkable and unconstitutional. I found an early 20th century editorial cartoon depicting Uncle Sam behind a fortress wall that was keeping a downtrodden refugee family out of America. I got rid of most of the family, giving the dad a Tiktok logo head, and I put Cryteria’s HAL9000 eyes over each cannonmouth. Three Boss Tweed moneybag-head caricatures, adorned with Big Tech logos, rounded it out.
https://pluralistic.net/2023/03/30/tik-tok-tow/#good-politics-for-electoral-victories
When Flickr took decisive action to purge the copyleft trolls who’d been abusing its platform, I knew I wanted to illustrate this with Lucifer being cast out of heaven, and the very best one of those comes from John Milton, who is conveniently well in the public domain. The Flickr logo suggested a bicolored streaming-light-of-heaven motif that just made it.
https://pluralistic.net/2023/04/01/pixsynnussija/#pilkunnussija
Old mainframe ads are a great source of stock for a “Computer Says No” image. And Congress being a public building, there are lots of federal (and hence public domain) images of its facade.
When I wrote about the Clarence Thomas/Harlan Crow bribery scandal, it was easy to find Mr. Kjetil Ree’s great image of the Supreme Court building. Thomas being a federal judge, it was easy to find a government photo of his head, but it’s impossible to find an image of him in robes at a decent resolution. Luckily, there are tons of other federal judges who’ve been photographed in their robes! Boss Tweed with the dollar-sign head was a great stand-in for Harlan Crow (no one knows what he looks like anyway). Gilding Thomas’s robes was a simple matter of superimposing a gold texture and twiddling with the layers.
https://pluralistic.net/2023/04/06/clarence-thomas/#harlan-crow
“Gig apps trap reverse centaurs in wage-stealing Skinner boxes” is one of my best titles. This is the post where I introduce the idea of “twiddling” as part of the theory of enshittification, and explain how it relates to “reverse centaurs” — people who assist machines, rather than the other way around. Finding a CC licensed modular synth was much harder than I thought, but I found Stephen Drake’s image and stitched it into a mandala. Cutting out the horse’s head for the reverse centaur was a lot of work (manes are a huuuuge pain in the ass), but I love how his head sits on the public domain high-viz-wearing warehouse worker’s body I cut up (thanks, OSHA!). Seeing as this is an horrors-of-automation story, Cryteria’s HAL9000 eyes make an appearance.
https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men
Rockefeller’s greatest contribution to our culture was inspiring many excellent unflattering caricatures. The IWW’s many-fists-turning-into-one-fist image made it easy to have the collective might of workers toppling the original robber-baron.
https://pluralistic.net/2023/04/14/aiming-at-dollars/#not-men
I link to this post explaining how to make good Mastodon threads at least once a week, so it’s a good thing the graphic turned out so well. Close-cropping the threads from a public domain yarn tangle worked out great. Eugen Rochko’s Mastodon logo was and is the only Affero-licensed image ever to appear on Pluralistic.
https://pluralistic.net/2023/04/16/how-to-make-the-least-worst-mastodon-threads/
I spent hours on the sofa one night painstakingly cutting up and reassembling the cover art from a science fiction pulp. I have a folder full of color-corrected, high-rez scans from an 18th century anatomy textbook, and the cross-section head-and-brain is the best of the lot.
https://pluralistic.net/2023/05/04/analytical-democratic-theory/#epistocratic-delusions
Those old French anatomical drawings are an endless source of delight to me. Take one cross-sectioned noggin, mix in an old PC mainboard, and a vector art illo of a virtuous cycle with some of Cryteria’s HAL9000 eyes and you’ve got a great illustration of Google’s brain-worms.
Ireland’s privacy regulator is but a plaything in Big Tech’s hand, but it’s goddamned hard to find an open-access Garda car. I manually dressed some public domain car art in Garda livery, painstakingly tracing it over the panels. The (public domain) baby’s knit cap really hides the seams from replacing the baby’s head with HAL9000’s eye.
https://pluralistic.net/2023/05/15/finnegans-snooze/#dirty-old-town
Naked-guy-in-a-barrel bankruptcy images feel like something you can find in an old Collier’s or Punch, but I came up snake-eyes and ended up frankensteining a naked body into a barrel for the George Washington crest on the Washington State flag. It came out well, but harvesting the body parts from old muscle-beach photos left George with some really big guns. I tried five different pairs of suspenders here before just drawing in black polyhedrons with little grey dots for rivets.
https://pluralistic.net/2023/06/03/when-the-tide-goes-out/#passive-income
Illustrating Amazon’s dominance over the EU coulda been easy — just stick Amazon ‘A’s in place of the yellow stars that form a ring on the EU flag. So I decided to riff on Plutarch’s Alexander, out of lands to conquer. Rama’s statue legs were nice and high-rez. I had my choice of public domain ruin images, though it was harder thank expected to find a good Amazon box as a plinth for those broken-off legs.
https://pluralistic.net/2023/06/14/flywheel-shyster-and-flywheel/#unfulfilled-by-amazon
God help me, I could not stop playing with this image of a demon-haunted IoT car. All those reflections! The knife sticking out of the steering wheel, the multiple Munsch ‘Scream’ers, etc etc. The more I patchked with it, the better it got, though. This one’s a banger.
https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon
To depict a “data-driven dictatorship,” I ganked elements of heavily beribboned Russian military dress uniforms, replacing the head with HAL9000’s eye. I turned the foreground into the crowds from the Nuremberg rallies and filled the sky with Matrix code waterfall.
https://pluralistic.net/2023/07/26/dictators-dilemma/#garbage-in-garbage-out-garbage-back-in
The best thing about analogizing DRM to demonic possession is the wealth of medieval artwork to choose from . This one comes from the 11th century ‘Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros.’ I mixed in the shiny red Tesla (working those reflections!), and a Tesla charger to make my point.
https://pluralistic.net/2023/07/28/edison-not-tesla/#demon-haunted-world
Yet more dividends from those old French anatomical plates: a flayed skull, a detached jaw, a quack electronic gadget, a Wachowski code waterfall and some HAL 9000 eyes and you’ve got a truly unsettling image of machine-compelled speech.
https://pluralistic.net/2023/08/02/self-incrimination/#wei-bai-bai
I had no idea this would work out so well, but daaaamn, crossfading between a Wachowski code waterfall and a motherboard behind a roiling thundercloud is dank af.
https://pluralistic.net/2023/08/03/there-is-no-cloud/#only-other-peoples-computers
Of all the turkeys-voting-for-Christmas self-owns conservative culture warriors fall for, few can rival the “banning junk fees is woke” hustle. Slap a US-flag Punisher logo on and old-time card imprinter, add a GOP logo to a red credit-card blank, and then throw in a rustic barn countertop and you’ve got a junk-fee extracter fit for the Cracker Barrel.
https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping
Putting the Verizon logo on the Hinderberg was an obvious gambit (even if I did have to mess with the flames a lot), but the cutout of Paul Marcarelli as the ‘can you hear me now?’ guy, desaturated and contrast-matched, made it sing.
https://pluralistic.net/2023/08/10/smartest-guys-in-the-room/#can-you-hear-me-now
Note to self: Tux the Penguin is really easy to source in free/open formats! He looks great with HAL9000 eyes.
Rockwell’s self-portrait image is a classic; that made it a natural for a HAL9000-style remix about AI art. I put a bunch of time into chopping and remixing Rockwell’s signature to give it that AI look, and added as many fingers as would fit on each hand.
https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/
The West Midlands Police were kind enough to upload a high-rez of their surveillance camera control room to Flickr under a CC license (they’ve since deleted it), and it was the perfect frame for dozens of repeating clown images with HAL9000 red noses. This worked out great. The clown face is from a 1940s ad for novelty masks.
https://pluralistic.net/2023/08/23/automation-blindness/#humans-in-the-loop
I spent an absurd amount of time transforming a photo I took of three pinball machines into union-busting themed tables, pulling in a bunch of images from old Soviet propaganda art. An editorial cartoon of Teddy Roosevelt with his big stick takes center stage, while a NLRB General Counsel Jennifer Abruzzo’s official portrait presides over the scene. I hand-made the eight-segment TILT displays.
Working with the highest-possible rez sources makes all the difference in the world. Syvwlch’s extremely high-rez paint-scraper is a gift to people writing about web-scraping, and the Matrix code waterfall mapped onto it like butter.
https://pluralistic.net/2023/09/17/how-to-think-about-scraping/
This old TWA ad depicting a young man eagerly pitching an older man has incredible body-language — so much so that when I replaced their heads with raw meat, the intent and character remained intact. I often struggle for background to put behind images like this, but high-rez currency imagery, with the blown up intaglio, crushes it.
https://pluralistic.net/2023/10/04/dont-let-your-meat-loaf/#meaty-beaty-big-and-bouncy
I transposed Photoshop instructions for turning a face into a zombie into Gimp instructions to make Zombie Uncle Sam. The guy looking at his watch kills me. He’s from an old magazine illustration about radio broadcasting. What a face!
https://pluralistic.net/2023/10/18/the-people-no/#tell-ya-what-i-want-what-i-really-really-want
The mansplaining guy from the TWA ad is back, but this time he’s telling a whopper. It took so much work to give him that Pinnocchio nose. Clearly, he’s lying about capitalism, hence the Atlas Shrugged cover. Bosch’s “Garden of Earthly Delights” makes for an excellent, public domain hellscape fit for a nonconensual pitch about the miracle of capitalism.
https://pluralistic.net/2023/10/27/six-sells/#youre-holding-it-wrong
There’s no better image for stories about techbros scamming rubes than Bosch’s ‘The Conjurer.’ Throw in Jeff Bezos’s head and an Amazon logo and you’re off to the races. I boobytrapped this image by adding as many fingers as I could fit onto each of these figures in the hopes that someone could falsely accuse me of AI-generating this. No one did.
https://pluralistic.net/2023/11/06/attention-rents/#consumer-welfare-queens
Once again, it’s Bosch to the rescue. Slap a different smiley-face emoji on each of the tormented figures in ‘Garden of Earthly Delights’ and you’ve got a perfect metaphor for the ‘brand safety’ problem of hard news dying online because brands don’t want to be associated with unpleasant things, and the news is very unpleasant indeed.
I really struggle to come up with images for my linkdump posts. I’m running out of ways to illustrate assortments and varieties. I got to noodling with a Kellogg’s mini-cereal variety pack and I realized it was the perfect place for a vicious gorilla image I’d just found online in a WWI propaganda poster headed ‘Destroy This Mad Brute.’ I put so many fake AI tells in this one — extra pupils, extra fingers, a super-AI-esque Kellogg’s logo.
Bloodletting is the perfect metaphor for using rate-hikes to fight inflation. A vintage image of the Treasury, spattered with blood, makes a great backdrop. For the foreground, a medieval woodcut of bloodletting quacks — give one the head of Larry Summers, the other, Jerome Powell. For the patient, use Uncle Sam’s head.
https://pluralistic.net/2023/11/20/bloodletting/#inflated-ego
I killed a long videoconference call slicing up an old pulp cover showing a killer robot zapping a couple of shrunken people in bell-jars. It was the ideal image to illustrate Big Tech’s enshittification, especially when it was decorated with some classic tech slogans.
https://pluralistic.net/2023/11/22/who-wins-the-argument/#corporations-are-people-my-friend
There’s something meditative about manually cutting out Tenniel engravings from Alice — the Jabberwock was insane. But it was worth it for this Tron-inflected illustration using a distorted Cartesian grid to display the enormous difference between e/acc and AI doomers, and everyone else in the world.
https://pluralistic.net/2023/11/27/10-types-of-people/#taking-up-a-lot-of-space
Multilayer source images for your remixing pleasure:
- Scientist in chemlabhttps://craphound.com/images/scientist-in-chem-lab.psd
- Humpty Dumpty and the millionaires
https://craphound.com/images/humpty-dumpty-and-the-millionaires.psd - Demon summoning
- https://craphound.com/images/demon-summoning.psd
- Killer Robot and People in Bell Jars
https://craphound.com/images/killer-robot-and-bell-jars.psd - TWA mansplainer
https://craphound.com/images/twa-mansplainer.psd - Impatient boss
https://craphound.com/images/impatient-boss.psd - Destroy This Mad Brute
https://craphound.com/images/destroy-this-mad-brute.psd
(Images: Heinz Bunse, West Midlands Police, Christopher Sessums, CC BY-SA 2.0; Mike Mozart, Jesse Wagstaff, Stephen Drake, Steve Jurvetson, syvwlch, Doc Searls, https://www.flickr.com/photos/mosaic36/14231376315, Chatham House, CC BY 2.0; Cryteria, CC BY 3.0; Mr. Kjetil Ree, Trevor Parscal, Rama, “Soldiers of Russia” Cultural Center, Russian Airborne Troops Press Service, CC BY-SA 3.0; Raimond Spekking, CC BY 4.0; Drahtlos, CC BY-SA 4.0; Eugen Rochko, Affero; modified)
